The Church at Auvers

Vincent van Gogh – The Church in Auvers-sur-Oise, View from the Chevet – Google Art Project – Google Arts & Culture: Home – pic, Public Domain, https://commons.wikimedia.org/w/index.php?curid=21856347

No mason worth his salt laid out these lines;
no architect designed these crooked roofs.
What midnight sky is this where no sun shines
and yet the flowers glow, the morning’s proofs?

Where was the Father when this church was made,
and by what miracle does it still stand?
The road before me plunges into shade—
oh, even there shall I be in your hand?

Keep, in your mercy, stone stacked upon stone.
The beauty that we try for, bless with grace.
The road we walk, let us not go alone
but comfort us with glimpses of your face. Amen.

Ascension 2026

When he had said this, as they were looking on,
he was lifted up, and a cloud took him from their sight.
Acts 1:1-11

So now a nothing meets our eye,
a gap between the earth and air.
Our Lord ascended to the sky
and we are all left standing there:

left looking for the one we lost
returned again then taken back—
the world a word that he had glossed
is now lacuna in our lack;

left waiting for what will not come,
our brother as we’d known him long—
the voice we loved has fallen dumb
and no more do we hear his song;

left yearning for his promises,
remembering the word he spoke
to send another friend to us
as real as was the bread he broke;

left staring at an empty hill,
yet through through this emptiness we grope—
his promised something comes to fill
the empty hands that reach for hope.

So now we wait for what he said
he’d send us from his Father’s hall
and find him in the broken bread—
left hoping, yet not left at all.

Ascension of Christ by Adriaen van Overbeke, c. 1510–1520 – https://www.christies.com/lotfinder/Lot/antwerp-school-circa-1510-1520-the-ascension-of-5790472-details.aspx, Public Domain, https://commons.wikimedia.org/w/index.php?curid=83155533

Ostrich

[T]he Church fasts and prays in order to have less flesh by mortification, and by prayer to acquire wings, because prayer is the soul’s wing by which it flies to heaven. So the soul will be able freely to follow Christ in his ascent: he ascended, opening the road before us, and he flew on the wings of the winds. For a bird that has much flesh and little plumage cannot fly very well: consider, for instance, the ostrich.

–Jacobus de Voragine, The Golden Legend, ch. 70 “The Greater and Lesser Litanies”

Consider well the sparrow here
that neither sows nor reaps the seed
yet faces winter without fear
and know that God will meet its need;

the swallows in the Temple eaves
that swoop and dive and make their nest
in better shelter than the leaves
and at God’s altar take their rest;

but they that fly to heaven, you see,
are breath and prayer, are quick and light.
An ostrich in God’s aviary,
I cannot match their upward flight.

Nor can I, like the Spirit, move
upon the waters, skimming waves,
for I am not the wind-swift dove,
nor penguin that abysses braves.

The hawk that on the high wire preens
or up against the sun may glide,
velociraptors in its genes,
can dive to drive out sin and pride.;

and even vultures show their trust
in God’s provision, good and kind,
who ride upon the slightest gust
and eat what others leave behind;

but I can only turn and flee
or coward hide my head in sand.
What mercy there can be for me
must come like birdseed from God’s hand.

So he, unstinting pelican
who tore his breast to feed his chicks,
comes to his ostrich once again
who flies just like a load of bricks

and leads me where he first has stepped
along the way he first has known.
A better shepherd never shepped,
and he will lead me gently home.
Mind the dip! Ostrich, near Omuramba, Kunene, Namibia. SONY DSC By © Hans Hillewaert, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3206071

Dry

And when you led them out into their freedom
a fiery pillar lit the midnight sky—
another wonder of your hand to lead them.
They walked into the sea and found it dry.

As bleached and barren as a sky in summer,
a fervent and an unrelenting sky
whose bluer deeps are drained, and when I plumb them
there’s nothing there but sand, empty and dry.

Where are the living waters of your mercy?
Where is the cloud in all this burning sky?
I walk through the abyss, and I am thirsty.
Send me the rain, O God, for I am dry.

Moses at the Red Sea by Aoki Shigeru – Public Domain, https://commons.wikimedia.org/w/index.php?curid=46655431

Stumbling Block

Look. Sometimes, you decide to end the line with a ridiculous word because it fits the sense. And then you’re stuck for a ridiculous rhyme, so you look in the rhyming dictionary and find a word you’ve never seen, but you like it. So you look it up in the OED and–miracle of miracles–it fits the sense perfectly. So even though you usually try not to drop fifty-cent words in these things, you use it. It means “made of gold and ivory.”

I stumbled on the journey, Lord: You caught me
across the shins. You always do. I try
to carry out the precepts you have taught me—
I always fail. Here in the dust I lie
beside my Lord, my God, my stumbling block,
where he will feed me honey from the rock.

And when he lifts me up as he has promised
it will be but to set me on himself,
for all the myriad mansions of our solace
in his pierced side have their foundations delved.
Our home is built on you, O cornerstone,
and someday I will rest on you alone.

And we shall be like you, be adamantine.
Though we are dust and unto dust return
you raise us up again chryselephantine
with gold that in the furnace did not burn.
‘Til then, O Christ, be dust with my dust here;
though I have fallen, Lord, be ever near. Amen.

Crystalline Gold By Unknown author – Enhanced from resourcescommittee.house.gov/subcommittees/emr/usgsweb/photogallery/ (resourcescommittee.house.gov/subcommittees/emr/usgsweb/photogallery/images/Gold%203_jpg.jpg) [via Wayback Machine], Public Domain, https://commons.wikimedia.org/w/index.php?curid=38780

Keeping

Whoever has my commandments and observes them
is the one who loves me.
And whoever loves me will be loved by my Father,
and I will love him and reveal myself to him.
John 14:15-21

What is the word for us except its keeping?
No ornamented columns to a facade
but piers sunk deep into the earth and deeper
until they strike the bedrock of our God.

And who can know the length of such a burrow?
The blind worm does not work by plan and chart
but digs ‘til all he does becomes a furrow.
As seeds spring up behind, he finds God’s heart.

So then I know this road but in the walking;
I only know my loves in loving them.
What does it matter that I walk in darkness?
This is the way to New Jerusalem.

We hold your word, a mystery unfolding,
and we unfold ourselves to its commands.
This road can lead me nowhere but your holding;
I walk the darkness cupped within your hands.

Vincent van Gogh – Wheatfield with crows – Google Art Project, Public Domain, https://commons.wikimedia.org/w/index.php?curid=22621755

Spoken

You bade me hold my tongue, but I have spoken,
have wrenched the desert open at the seams
when I should not. This silence I have broken,
and like the stone it pours out living streams.

I grumbled at the working of your mercy
and envied the contentment of the dead.
I cried out to you living, hungry, thirsty:
You made the waters flow and sent the bread.

And yet, O God, you led me to this desert
as you will lead me through the vale of gloom.
I know that even there I shall be sheltered;
then let me see you make this desert bloom.

Though I break faith as easily as silence,
you never once have broken faith with me,
for never have you sworn this road was trialless,
yet ever here beside me you shall be.

Oh, someday, maybe, I will learn to listen,
to wait for you in trust and not to speak,
yet when the sun and all the dead have risen
we’ll shout your praise from every mountain peak.
The above panorama shows a view of the Atacama Desert as seen from the ESO Paranal Observatory, home to the Very Large Telescope. To the right of the image, one can see the road leading to the summit of Cerro Armazones, a site located in Chile, and a possible home for the future European Extremely Large Telescope (E-ELT). The E-ELT programme office has studied half a dozen potential sites for the future E-ELT observatory, which, with its 40-metre-class diameter, will be the world’s biggest eye on the sky. Various aspects need to be considered in the site selection process. On the E-ELT Site Selection Advisory Committee’s final short list for the recommended site, Armazones is also the committee’s preferred site, because it has the best balance of sky quality across all aspects and can be operated in an integrated fashion with the existing Paranal Observatory. Atacama, the world’s driest non-polar desert, part of the Arid Diagonal of South America By ESO/S. Brunier – http://www.eso.org/public/images/armazonesparanal/, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=26458337

Tulip

The iris burns blue flame beside the door,
but I have seen this miracle before.

The daffodils unfurl above the grass;
in truth, I hardly notice as I pass.

The amaryllis spreads its scarlet wide;
I have no echo blooming deep inside.

The tulip opens empty to the sky,
and so do I, my God, and so do I.

This is a picture of the Semper Augustus. This tulip is famous for being the most expensive tulip sold during the tulipomania in the Netherlands in the 17th century.By Unknown artist – Norton Simon Museum, Public Domain, https://commons.wikimedia.org/w/index.php?curid=199488

You Are the Way

Jesus said to him, I am the way and the truth and the life.
John 14:6

You are the stumbling midnight road;
you are the valley ’round its bend
whose noon with shadows overflowed.
You are the sunrise at its end.

You are the road to Calvary,
and at its end, a hill you rise.
You are the crosses, one, two, three.
You are the light that fills the skies.

You are the way we walk upon;
you are the truth that draws our steps.
You are the life that springs at dawn
up from the chasm of our deaths.

Glory to you, O risen Christ,
glory to brighten all that’s past.
Shine out, O way, O truth, O life,
that we may walk in light at last.

Sunrise over Benmore Range, New Zealand By Michal Klajban – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=77978517

After Cassian

As for you, o holy brothers: the Lord came to send this fire on the earth, and he longs for it to burn boundlessly. I’m not so spiritually conceited as to presume that in feeding that fire I’ll add any heat to your own ragingly hot resolve. No. I do it so that you’ll influence the next generation more powerfully if you teach not by the dead sound of words but by your own living example, backed up by the advice of the best and most ancient elders.

Until now I’ve been tossed all around in a treacherous storm. Now it’s up to the spiritual breeze of your prayers to sweep me into the safe harbor of silence.

–John Cassian, The Conferences, 24.26.19, tr. Jamie Kreiner

Though I have written reams and reams of words
as here-and-gone-again as morning dew,
they yield no thirty-fold and house no birds.
Empty of all unless they’re full of you,
these lines are painted signs to say I YEARN,
just so much kindling, only fit to burn.

Set them aflame, O God, and let them rise
as incense disappearing in the air—
sweet savor, and man’s smudge against the skies,
and then a breeze, and they were never there.
But still you hold them in your memory
where they are burning in eternity.

O God, come to my aid; O Lord, make haste
to help me: All the noisiness of flame
is rushing wind and cracking wood laid waste,
but burned to embers then they blaze your name
in steadfast silence. Take from me my word
and give me that the formless void first heard

and let it shape me, let it make me light
and heat as I am burned but not consumed
where there is no more darkness, no more night,
and flame is feather for a Spirit plumed
to shelter us beneath her fiery breast.
In burning silence may we find our rest. Amen.

Magdalene with the Smoking Flame (c. 1640). Georges de La Tour (1593–1652) Oil on canvas, 117 x 92 cm (46 x 36.2 in). Los Angeles County Museum of Art – Public Domain, https://commons.wikimedia.org/w/index.php?curid=8872704