There will be trumpets; there will be brass bands
among the shofars when the walls come down,
a blaring fanfare for the common man
descending then with thorns upon his brow
and holes like whole notes through his riven hands.
We all shall rise and wait to hear his count
to start the song the hosts of heaven have sung—
and each of us shall sing in his own tongue.
And yet no Babel, this, but harmony
composed of all the musics of the world,
a grace redeeming our cacophony
and filling up the gaps between our words,
transforming every voice that sings off-key
into a tone no earthly ear has heard.
But we have known it, loved it even so,
and even now its echoes in us grow:
Reverberating in the daily songs
our mothers taught us, fathers bass-note boomed,
our sisters played us—striking some keys wrong
but far more right—our brothers cracked-voice crooned,
and when we grew we learned to sing along
and chased that music in and out of tune.
When Jesus comes again, oh, he will sing
the song that calls to us through everything.
There will be choirs and angel voices raised,
and in among them voices that we know
in myriad songs will make one hymn of praise,
and Christ himself with a resounding Do
will tune the motifs of our separate lays
into one chorus. Singing, we shall go,
with the saints go marching: We shall hear each voice,
and we shall look upon him and rejoice.

The ceiling mosaic of the Baptistery in Florence (c. 1240-1300) depicts (in the innermost octagon of images) all nine of the orders of angelic beings: the Seraphim and Cherubim are shown with Christ at lower center, while the other ranks each occupy a separate field, above which are their Latin designations. By Ricardo André Frantz (User:Tetraktys) – taken by Ricardo André Frantz, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2267968








